Federico Pelle, born in Emilia and adopted from Vicenza, has been involved in professional audio for 25 years. A deep and passionate connoisseur of outboards, microphones and vintage instrumentation, he is mainly dedicated to the world of filming and in these terms works in the world of Cinema, Gaming and Music. His musical collaborations boast of national and international artists: Herbie Hancock, Noah, Diane Schuur, Ares Tavolazzi, Dave Liebman, Andrea Bocelli, Elodie, Rocco Hunt, Francesco Gabbani, Ultimo, Michele Bravi, Ermal Meta, Chiara Galiazzo, Noemi, Rkomi, Patrizia Laquidara, Davide Van de Sfroos, Francesca Michielin, Rossana Casale, Mariella Nava, Grazia di Michele, Quincy Jones, Federico Maria Sardelli and Modo Antiquo, Pierpaolo Scattolin and the Euridice choir, Gaga Symphony Orchestra, among others. In the film field, he collaborates for many years in productions by Ermanno Olmi, Rocco Papaleo, Davide Manuli, Paolo Guadagnin. He works for Decca, Tactus, Brilliant Classics, Dynamic, Caligola, Philips, Glossa, Virgin, Columbia, Sony, Universal Music Group. For the past twelve years he has held the Chair of Electroacoustics at the Conservatory of Music "A. Steffani" in Castelfranco Veneto (TV) and for the past five years he has been Lecturer of the Electroacoustics III course at the Civica Scuola di Musica "C. Abbado" in Milan. The teaching he deals with is totally integrated: on the one hand the mere didactic notion, on the other hand a real practice that allows students to confront the world of work and production.